Gwen’s Blog

TOPIC: Studio notes

Exhibition of my work in France

Vernissage in Collioure, France

Vernissage in Collioure, France

The poster is printed, the paintings are painted and I’m wondering how I’ll get them to France. They’re painted on wood, and although small (9″x 12″) there are quite a few of them. Carole Watanabe designed the poster. Carole’s painting is the background for Alice’s (bottom) and mine (top two). An unusual presentation, n’est pas?

Collioure, the town where Galerie L’Art Vivant is located, is a fishing village on the Mediterranean a few kilometers from the Spanish border.  The Fauves,  Andre Derain, Henri Matisse and several other early 20th century iconoclastic painters, chose  Collioure for it’s charm and magical light.  Carole Watanabe’s paintings reflect the joyful vitality and brilliant palette of the Fauves.

Alice Liff’s mixed media collages with their soft palette and nostalgic imagery are more introspective.  Her work explores a world of what might have been.

My work courts the mysterious parts of my psyche.  I might capture their images, but probably not their secrets.

By the way, a vernissage is an art opening.

Journal Images

the spinner

the spinner

The journal leads me on. Here are a handful of pages. As you can see, there are few words in sight. Actually, I put them in an envelope on the opposite page. A little covert, I know, but it seems that words and images run on different rails for me.

the haunted room

the haunted room

raven on watch

raven on watch

A Leap Into the Firmament

A Jump into the Firmament

A Leap into the Firmament

On Keeping a visual journal…
I’ve finally succumbed to the discipline of keeping a visual journal. At first I was afraid that I wouldn’t want to meet its demands, that the well would run dry after the first three pages, but I’ve discovered the opposite is true. The journal seems to generate pages on its own. I never know where I will find myself once I step into its pages and surrender to that unpredictable journey called art making. I dedicated the journal to exploration and improvisation.

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